[Date]: Friday, March 24, 2017 18:00 (Doors open at 17:30; expected to end at 19:45)
[Venue] Intermediatheque 2F Lecture Theatre ACADEMIA
[Admission] Free (no reservation required)
The number of seats limited to 48. Your understanding is appreciated.
* Photographing, filming and recording are strictly prohibited.
* Please refrain from eating and drinking in the museum.
In 1949, the peaceful seaside resort of Knokke Le Zoute in Belgium staged an ambitious avant-garde film movement. Organized by the Royal Belgian Film Archive, the Experimental Film Festival “EXPRMNTL” drew worldwide cultural attention, with a prestigious prize awarded with the financial help of a local casino. Until its final edition in 1974, the festival was only held five times. However, during this period, it continually presented experimental film works that would eventually mark history, stirred up controversies with radical works, and significantly contributed to bridging the gap between cinema and other artistic fields. In Japan also, key figures of the blooming postwar experimental film world participated in the festival since its inaugural edition. Especially in the third “EXPRMNTL” edition held in 1963, seven out of 107 works were from Japan, and created a sensation. Disconcerted by these works, the jury eventually offered a special prize collectively to all seven works. The participating directors, upon their return to Japan, organized in 1964 the “Film Independents” Festival at Kinokuniya Hall in Shinjuku, presenting radical works that contributed to intermingle experimental cinema and contemporary art.
The screened films of the award-winning works were eventually donated to the Belgian Royal Belgian Film Archive, and kept in its collection. Last year, for the 150th anniversary of the establishment of diplomatic relations between Japan and Belgium, these films were newly digitalized. With the cooperation of VUB Professor Hans de Wolf and the Royal Film Archive, we are retracing the dawn of Japanese postwar experimental film, with a special screening of these works.
[Organizer] The University Museum, the University of Tokyo (UMUT) + Vrije Universiteit Brussel
[Cooperation] Royal Belgian Film Archive + Brussels Capital-Region
[Program Conception] Intermediatheque Department, The University Museum, the University of Tokyo
Naoya YOSHIDA (1931-2008), Mon-Yo: Ornamental Motifs from Japan
1962 / 23 min / Digital version of original 16mm film / BW
Cinematography: Yoshihiro Imai / Art: Kohei Sugiura, Kiyoshi Awazu / Music: Toru Takemitsu / Sound Engineering: Kiyoshi Inamura / Editing: Susumu Otaka / Supervision: Jo Okada, Tomoyuki Yamanobe
Donald RICHIE (1924-2013), War Games
1962 / 22 min / Digital version of original 16mm film / BW
Scenario+Editing: Donald Richie / Cooperation: Hijikata Tatsumi
Yoichi TAKABAYASHI (1931-2012), The Sand
1963 / 26 min / Digital version of original 16mm film / BW
Production Company: Korin Group / Production: Yoichi Takabayashi / Cast: Kyoji Date [Tetsuro Sagawa], Mutsuko Masaki
Takahiko IIMURA (1937-), ONAN
1963 / 7 min / Digital version of original 16mm film / BW
Production+Scenario+Cinematography: Takahiko Iimura / Art: Natsuyuki Nakanishi / Music: Yasunao Tone/ Cast: Natsuyuki Nakanishi, Akiko Kodaira
Kazutomo FUJINO (1928-1980) + Nobuhiko OBAYASHI (1938-), An Eater
1963 / 24 min / Digital version of original 16mm film / BW
Cinematography: Nobuhiko Obayashi / Effects: Minoru Yoshida / Art: Shinai Fujino / Cast: Sachiko Matsushita, Kazuo Tai, Daigo Kusano, Takaya Kimotsuki, Ayako Takahashi, Tamaro Araki, Tadashi Terasawa, Shin Kishida, Sakio Hirata, Kazutomo Fujino, Jinichi Ishizaki, Yoshiyuki Oka